"The Conversations" teaches me that when one talks about movies, it is often done in the form of comparison between films of the same genre or time period. Jaws, for example, is largely compared to other so-called "summer blockbusters"in order to make a point that Jaws isn't a typical one. No matter what the two critics are talking about, they keep going back to other films of the category: "...really great horror movies don't just provoke reactions of fear, they're also about fear." Not only this, but they also compare Spielberg to other directors: "And, like Quentin Tarantino after him, Spielberg clearly wants us to enjoy Jaws not just as adventure but as a movie adventure." Ed Howard talks a lot about how the film feels (which is, most of the time, subjective), as well as about its story line and special effects (or the lack thereof). Jason Bellamy talks about the balance between the special effects and the story line. Additionally, he mentions the power of shots not just as stand-alone elements but with a reference to anotehr film: "Those shots, ostensibly from the shark's perspective, recall the underwater shots in Creature From the Black Lagoon." Bellamy discusses only the shots that are especially effective, "Later, the girl's hand washes up on the beach, the first evidence of the shark that will soon terrorize the area, and Spielberg delivers a sensational closeup of the detached hand..." Another notable thing about "The Conversations" is that both film critics barely quote the characters from Jaws. Most of their conversation is circled around analysis of specific scenes and effects as well as their effectiveness. The talked-about shots are in order, so the conversation is similar to watching the film, except with some major commentary in it. Most importantly, Ed Howard and Jason Bellamy talk about all aspects of form in this movie: its structure, point of view, and theme. By going over each one of these aspects, they provide us with a full analysis of the movie in comparison to other films within this genre.
No comments:
Post a Comment